|  Performing 
              artists avoiding Israel
 By John Ward AndersonWashington Post
 July 30, 2002
 
 JERUSALEM, July 29 -- Backing out of a concert performance with 
              the legendary conductor Zubin Mehta is like skipping a golf date 
              with Tiger Woods or a dinner with Julia Child. But the unthinkable 
              is becoming epidemic here as the world's great musicians take a 
              pass on Israel because they fear for their security or disagree 
              with the government's policies. "Fifty percent or more of the foreign artists have canceled," 
              said Mehta, music director of the Israel Philharmonic Orchestra. 
              In the current production of Richard Strauss's opera "Salome," 
              he said, "we've had eight cancellations in the cast." The orchestra announced today that it was forced to cancel an eight-concert 
              tour in the United States next month because no insurance company 
              would cover the performances due to concerns about possible terrorist 
              attacks, said a spokeswoman for the orchestra, Dalia Meroz. "They think our orchestra is a target for terrorism," 
              Meroz said. Israel also used to be a regular stop on the pop music circuit, 
              hosting the likes of Madonna, Eric Clapton, R.E.M. and Santana. 
              But it has been more than a year since a mega-star played here. 
              In some cases, Israeli artists have been disinvited from playing 
              abroad. And the Tel Aviv film festival was canceled this year because 
              the organizers feared no stars would come. The problem goes beyond the arts. In March, the European football 
              federation suspended soccer matches in Israel, citing security concerns. 
              Israeli home games are scheduled to be played in Cyprus. Influential academics, angry at the Israeli government's actions 
              against Palestinians, are pushing a boycott of Israel that hundreds 
              of university professors have joined. And on the economic front, 
              some Norwegian supermarkets label Israeli products with stickers 
              so customers can decide whether to buy them. "Israel is not the flavor of the month, that's for sure," 
              Mehta said. "The world is turning against it." While there is little evidence of an internationally coordinated 
              anti-Israel boycott of the sort aimed at South Africa in the 1980s, 
              a sense of isolation is taking hold here, along with a concern that 
              Israel is being shunned, dealing a blow to its national psyche and 
              its decades-long drive for acceptance. "Israel has always wanted to be integrated. It's an obsession," 
              said Calev Ben-David, managing editor of the Jerusalem Post, who 
              complained that "even the traditional supporters of Israel 
              are not coming" these days. "Never since the worst days of the Lebanon war has Israel 
              felt so alone and isolated," he said, referring to the Israeli 
              invasion of its northern neighbor in 1982. "We're not looking 
              just for integration anymore. We're looking for any sign of solidarity 
              and acceptance we can get. We really need a boost. We'd give the 
              Palestinians a state if Bruce Springsteen would come." Many artists have canceled appearances because of concerns about 
              Palestinian suicide bombers who have attacked buses, hotels, restaurants 
              and nightclubs. There is also a growing fear here and abroad of 
              a large terrorist attack like those in New York and at the Pentagon 
              on Sept. 11. But many Israelis say that while security concerns are almost always 
              the sole reason given for the cancellations, they believe many people 
              are not coming because they oppose Israel's actions in the conflict 
              with Palestinians but do not want to say so publicly. "During the wars, there were always cancellations for reasons 
              of personal security, but this time it's a very different story," 
              said a Hebrew University philosopher and political scientist, Yaron 
              Ezrahi. "There is a moral issue about coming to [Prime Minister Ariel] 
              Sharon's Israel when it is engaged in actions which appear to be 
              excessive," he said. "This excommunication only reinforces 
              the idea that the whole world is against us because we're Jews." Such was the case last month at the Israel Festival, one of the 
              country's biggest cultural events. Three groups -- a dance troupe 
              from Belgium and orchestras from Germany and Italy -- canceled at 
              the last moment. The groups from Germany and Italy cited security concerns. But 
              the Belgian group -- a 34-member troupe called Rwanda '94 that stages 
              performances about the massacre of more than a half million ethnic 
              Tutsis -- said its reasons were overridingly political. "There was genocide of the Jews, then there was genocide in 
              Rwanda, and now Israel is trying to get rid of the Palestinians," 
              said the group's music director, Gareth List, explaining that most 
              of the people in his troupe "oppose the way Palestinians have 
              been treated for the last 54 years." Similar concerns prompted more than 200 painters, photographers, 
              poets and other artists to endorse an Internet petition calling 
              on their peers to "cancel all exhibitions and other cultural 
              events that are scheduled to occur in Israel" because "the 
              art world must speak out against the current Israeli war crimes 
              and atrocities." Many people, however, are genuinely concerned about their safety, 
              event organizers said. Others cite personal or professional conflicts 
              or medical excuses, which organizers said they sometimes read as 
              a tip-off that the real problem is political. "Nobody says it openly," Mehta said. "At the moment 
              they say, 'Look, my family just won't let me go.' That's usually 
              what they do." But the security concerns are real, he said, and apparently have 
              played a role in the decision of many stars not to come. "I say, 'I'm going, and I cannot force you,' " said Mehta, 
              66, the former director of the Los Angeles and New York philharmonics, 
              who spends about nine weeks a year in Israel. "I cannot guarantee 
              them 100 percent safety. My mother sits in Los Angeles and is shaking 
              every day. If I don't call twice a day, she's nervous." "My parents, my uncle in Kalamazoo, my good friends all along 
              kept saying they wished I would cancel," said Susan Anthony, 
              an up-and-coming American soprano who took over the title role in 
              "Salome" when opera great Jane Eaglen canceled for security 
              reasons. "There was a bombing less than a mile from my hotel 
              three days ago, and the cast was on the phone with each other -- 
              turn on CNN! -- and then the families try to get through to make 
              sure you're not down there." Lia van Leer, founder and director of the Jerusalem Film Festival, 
              said her event typically draws as many as 200 foreign actors, directors 
              and other film industry people, but this year attracted only about 
              60, and no one of the stature of such past attendees as Robert De 
              Niro, Warren Beatty, Jane Fonda and Kirk Douglas. "It's awkward. They have another agenda, they're starting 
              another film, they have a vacation scheduled -- and I can't blame 
              them," she said. But for the most part, "it's not a boycott 
              for political reasons, it's only a boycott because people are afraid 
              to come here." The Tel Aviv Museum of Art, which hosts chamber music performances, 
              had so many cancellations by foreigners this year that it recently 
              decided to book only local artists for its next concert season. 
              And the Tel Aviv film festival, which was canceled this year for 
              the same reason, has been postponed indefinitely, said Edna Fainaru, 
              the festival's founder. The pop music scene has been particularly hard-hit, said the Jerusalem 
              Post's Ben-David, who has covered the arts scene in Israel for more 
              than 10 years. "Rock stars who live totally on the edge are afraid to come 
              here," he said. At the same time, "the rock community 
              tends to veer toward a left, politically correct line, and to some 
              degree it has become politically impossible in that community" 
              to perform in Israel. "Before, any big band coming from the U.S. to Europe would 
              drop by Israel. That's over," said Shuki Weiss, a top concert 
              producer who has brought David Bowie, Bob Dylan and other top acts 
              to Israel. "The general idea for the last 20 years was to put Israel 
              on the map, and with all modesty, we succeeded very well," 
              he said. "But now, when you see all the familiar big names 
              going to Europe or on world tour and you are not considered, it's 
              a strange feeling of isolation. It's set us back six years." Not only are international artists shunning Israel. In a few cases, 
              Israeli artists have been disinvited from performing abroad, including 
              in Europe and the United States -- once again, usually because of 
              security. Chava Alberstein, an Israeli folk singer, and singer-songwriter 
              David Daor were asked not to perform at European concerts this year, 
              their agents said. "Those who canceled did not make anti-Semitic remarks. It 
              was mainly a security thing," said Pazit Daor, David Daor's 
              wife and manager. "In Detroit, they were scared they would 
              need to protect the whole place."   |